A detail from a painting still in progress. My favorite giant, Svjatogor – The Protector of the Mountains! This is a large painting (70X100cm) and the composition is in many ways complex, it takes much time and energy to do it right. However, once it’s finished, I hope the audience (especially those who will be able to see it in person) will think that the painting was done quickly and without a fight (which is of course not true). Beside the fact that, when working on a painting, I always try to please myself first; in this particular case, pleasing the client who commissioned it is every bit as important.
Tuesday, January 14, 2014
Monday, December 30, 2013
The Art of Petar Meseldzija - video
I am really glad to finally be able to announce that my book The Art of
Petar Meseldzija is also available for purchase in the U.S..
As I mentioned about a week ago, Stuart NG Books is now selling the book.
At the moment, they are the sole source in North America for this Dutch
import! Please visit them athttp://stuartngbooks.com/art-books/artists-a-z/last-name-m/meseldzija-the-art-of-petar-meseldzija.html
Here is a short video of me flipping through the book.
Thank you and Enjoy!
Friday, December 27, 2013
Diablo III: Book of Tyrael, Part 2
About two weeks ago, I posted a few drawings which I did for the book Diablo III: Book of Tyrael. Here is now the second part of that post with the
remaining drawings. The last drawing I was commissioned to do was quite large and
depicted the Leoric family tree. It included the portraits of all the members
of the family. The portraits were drawn on a separate paper and then pasted
onto the drawing of the tree in Photoshop. This drawing was published as a large
two-sided fold out poster at the back of the book. One side of the poster shows
the portraits of the Leoric family members as they were before they met their
doom; while the images on the backside indicate the way their life ended.
Because I still did not get my copies of the book from the publisher, I searched the web and found this image of the
poster (see the last image). Wednesday, December 25, 2013
Friday, December 20, 2013
The Art of Petar Meseldzija selling now through Stuart NG Books
I would
like to share this exciting news with all of you at the other side of the
Atlantic ocean who wish to buy my book The Art of Petar Meseldzija.
Stuart NG Books from the US is now selling the book. They are the sole source in North America for this Dutch import! Please visit them at http://stuartngbooks.com/new-arrivals/meseldzija-the-art-of-petar-meseldzija.html
Thank you and Enjoy!
Stuart NG Books from the US is now selling the book. They are the sole source in North America for this Dutch import! Please visit them at http://stuartngbooks.com/new-arrivals/meseldzija-the-art-of-petar-meseldzija.html
Thank you and Enjoy!
Wednesday, December 18, 2013
Diablo III: Book of Tyrael, Part 1
At the
beginning of this year, I did a number of drawings for the book Diablo III:
Book of Tyrael. A few years ago, I did 3 drawings for the previous Diablo book.
The deadline was tight back then, I remember I had only one week to finish
three detailed drawings. Fortunately the art directors from Blizzard were
helpful and not too demanding. The work went smoothly and at the end everybody
was pleased with the results, including myself. After the job was finished and
the fee reached my bank account, I forgot about the stress I had to go through
due to the deadline. However one thing I did not forget - a thought I was
having during this hectic week: “I hate to work under the pressure of
deadlines”.
This time, however, the deadline was all but tight, but the project was much more demanding. I was offered to do 5 full page detailed drawings; at the end I ended up doing 2 one page drawings and one big drawing that included a tree, 16 heads (characters) and 2 frames. All in all, it took me about 2 months to finish the work. Much of the time was spent on the communication with the art director . This intense communication was very important because almost every detail of the drawings had to be discussed and approved. The editors made sure to get from me exactly what they needed in order to achieve their objectives. Fortunately the art director I was working with was excellent and our collaboration very pleasant. He supplied me with all sorts of reference material and gave me thorough and clear explanation of his ideas and the basic concept of each illustration. (Thank you, Doug!)
My biggest challenge this time was not a tight deadline, as I already mentioned, but the fact that the Diablo universe is not very appealing to me. It’s just not my cup of tea, it's too dark for me. Never the less, being a professional commercial artist, I put aside my own taste and preferences and did my best to deliver the work I was hired to do. But while working on this commission, I noticed how the absence of the emotional involvement with the subject matter greatly decreased the amount of pleasure I was having, and caused me to lose too much energy. Therefore I felt quite exhausted at the end of the process. It became obvious to me (not for the first time though) that being emotionally involved with the subject matter of the piece I am working on is not only an imperative for creating a great piece, but also important for maintaining the level of energy and excitement throughout the commission, as well as having a feeling of fulfillment and purpose after the job is done.
This time, however, the deadline was all but tight, but the project was much more demanding. I was offered to do 5 full page detailed drawings; at the end I ended up doing 2 one page drawings and one big drawing that included a tree, 16 heads (characters) and 2 frames. All in all, it took me about 2 months to finish the work. Much of the time was spent on the communication with the art director . This intense communication was very important because almost every detail of the drawings had to be discussed and approved. The editors made sure to get from me exactly what they needed in order to achieve their objectives. Fortunately the art director I was working with was excellent and our collaboration very pleasant. He supplied me with all sorts of reference material and gave me thorough and clear explanation of his ideas and the basic concept of each illustration. (Thank you, Doug!)
My biggest challenge this time was not a tight deadline, as I already mentioned, but the fact that the Diablo universe is not very appealing to me. It’s just not my cup of tea, it's too dark for me. Never the less, being a professional commercial artist, I put aside my own taste and preferences and did my best to deliver the work I was hired to do. But while working on this commission, I noticed how the absence of the emotional involvement with the subject matter greatly decreased the amount of pleasure I was having, and caused me to lose too much energy. Therefore I felt quite exhausted at the end of the process. It became obvious to me (not for the first time though) that being emotionally involved with the subject matter of the piece I am working on is not only an imperative for creating a great piece, but also important for maintaining the level of energy and excitement throughout the commission, as well as having a feeling of fulfillment and purpose after the job is done.
![]() |
Young
Cain Deckard, a preliminary study.
|
![]() |
A
process shot. I wish I could stop working on this drawing at this stage.
I
like the contrast between the finished foreground and the unfinished background.
|
![]() |
Finished
piece.
|
![]() |
One
of several preliminary studies for the drawing of Tyrael as a mortal
man.
|
![]() |
The
finished drawing of Tyrael being judged by the demons.
|
![]() |
The
same drawing with the acrylic wash applied onto the
high
quality print of the original drawing.
|
Wednesday, December 11, 2013
Announcing the publisher of The Book of Giants
I have a great
news to share. John Fleskes from Flesk Publications has agreed to publish my
new book, The Book of Giants!! Needless to say, I am
very happy and excited about this news which, by the way, has accelerated my work on
this project. There are still some drawings and paintings to be finished, and
some stories to be written, but the digital book dummy is almost finished. In 2010 Flesk published my first book The Legend of
Steel Bashaw in English and by doing so made my breakthrough on the
international Fantasy Art market possible. The Book of Giants will be the second book of mine published by them.
Tuesday, November 26, 2013
Monday, November 18, 2013
Nice Photo
This photo was made by John Flesk during the comic convention in Breda a few weeks ago. As far as I am concerned, this is the best process photo of me working on a piece… If you want to see more of John’s brilliant photos from Breda, please visit Flesk Publications blog.
Apart from being one of the leading publishers of artbooks in the world, John possesses a variety of other talents, one of them being photography and even filming.
I suppose many of you already know that John Flesk is the new editor and publisher of already legendary Spectrum annuals.
Tuesday, November 5, 2013
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