Wednesday, July 31, 2013

Printing the Artbook

Two days ago, I went together with the publisher of my artbook to the printer to monitor the process of printing.  After some minor adjustments in color, the first 1000 copies of the book were printed out. It was a fantastic experience to be there and to see how the pages from my first monograph are being produced in a rapid pace by that huge metal beast, which we call the printing press! It was a memorable moment!
The first 1000 copies of the book will be delivered to the publisher by August 13th. In case you already want to order the book, please go to Dark Dragon Books.  The webshop page is still in Dutch, but it will soon be changed into English, I was told by the publisher.

Here are a few photo’s to give you the impression of the printing session.



Tuesday, July 16, 2013

The Dawn of the Day

“The Dawn of the Day” is the only painting of mine directly inspired by a musical composition,  “Theme from Harry’s Game”, by Clannad.
For more details of this and some other paintings please go to The Art of Petar Meseldzija
Listen to the "Theme from Harry's Game" - Clannad

Friday, July 12, 2013

Why Giants?

I always loved to draw giants and ogres.
It all started a long time ago as a combination of a number of factors, among which the following two played a decisive role – a usual fascination of a child with the fantastic and the imaginative; and a kind of compensatory behavior, for I was a shy and not very self-confident, and often felt  ”little” and insignificant when I was a kid. Of course, at that time I was not aware of these things, but now when I think of my childhood and try to analyze it, it becomes quite obvious that there was a certain disharmony between my inner world, and the surrounding world, the physical reality. Naturally, this situation produced a certain amount of discomfort  that my psyche tried to compensate partly by making me love to draw big, strong and brave guys including giants and all kinds of heroes. 

I am not a child anymore;  I am not a shy guy and don’t  feel as insecure and “little” as before.  Still I draw giants… How do I explain that? A usual explanation like “I love to draw giants” simply doesn’t offer a satisfactory answer this time.

Firstly, there is always a possibility that a part of my personality still refuses to grow up and therefore clings to that old compensatory behavior that used to provide the mind with the necessary relief.  During the past few years I reconsidered this issue many times, for I wanted to understand what was going on, and in case there are still childish elements in my persona (this is somewhat different from what is often referred  to as the “child within”), to deal with it without a further delay. This process is still ongoing …hence the word “silly” (me) I often use in connection with my drawings of giants.
Secondly, I understand now that giants are not only wonderfully grotesque and fascinating subjects from the artistic point of view, these creatures are also inspiring as symbols. I see them as the embodiment of a deep-rooted, untamed and intuitive side of human nature. The long and painful process of cultivating human society has produced great civilizations, but often deprived human beings of their spontaneity and unrestrained expression, removing them further away from Life in its purest form.

And that is not a childish thing anymore. On the contrary, it is a very important issue not only to me, but to many people living in the highly “cultivated” societies, although I believe many are still not fully aware of the problem, until one or another form of mental disorder becomes obvious.  

Now that I am about to start working on my book on Giants again, and having in mind the recent developments in terms of the complexity and depth of the concept, I am afraid it might take much longer to finish this project. I must try to create a perfect reflection of both the individual and the collective “silliness”, although I still really don’t know whether I am up to the task. We’ll see…