Wednesday, July 31, 2013

Printing the Artbook


Two days ago, I went together with the publisher of my artbook to the printer to monitor the process of printing.  After some minor adjustments in color, the first 1000 copies of the book were printed out. It was a fantastic experience to be there and to see how the pages from my first monograph are being produced in a rapid pace by that huge metal beast, which we call the printing press! It was a memorable moment!
The first 1000 copies of the book will be delivered to the publisher by August 13th. In case you already want to order the book, please go to Dark Dragon Books.  The webshop page is still in Dutch, but it will soon be changed into English, I was told by the publisher.

Here are a few photo’s to give you the impression of the printing session.
 





APPROVED!




 

Tuesday, July 16, 2013

The Dawn of the Day



“The Dawn of the Day” is the only painting of mine directly inspired by a musical composition,  “Theme from Harry’s Game”, by Clannad.
For more details of this and some other paintings please go to The Art of Petar Meseldzija
 
Listen to the "Theme from Harry's Game" - Clannad
 
 

Friday, July 12, 2013

Why Giants?




I always loved to draw giants and ogres.
It all started a long time ago as a combination of a number of factors, among which the following two played a decisive role – a usual fascination of a child with the fantastic and the imaginative; and a kind of compensatory behavior, for I was a shy and not very self-confident, and often felt  ”little” and insignificant when I was a kid. Of course, at that time I was not aware of these things, but now when I think of my childhood and try to analyze it, it becomes quite obvious that there was a certain disharmony between my inner world, and the surrounding world, the physical reality. Naturally, this situation produced a certain amount of discomfort  that my psyche tried to compensate partly by making me love to draw big, strong and brave guys including giants and all kinds of heroes. 


 
I am not a child anymore;  I am not a shy guy and don’t  feel as insecure and “little” as before.  Still I draw giants… How do I explain that? A usual explanation like “I love to draw giants” simply doesn’t offer a satisfactory answer this time.

Firstly, there is always a possibility that a part of my personality still refuses to grow up and therefore clings to that old compensatory behavior that used to provide the mind with the necessary relief.  During the past few years I reconsidered this issue many times, for I wanted to understand what was going on, and in case there are still childish elements in my persona (this is somewhat different from what is often referred  to as the “child within”), to deal with it without a further delay. This process is still ongoing …hence the word “silly” (me) I often use in connection with my drawings of giants.
Secondly, I understand now that giants are not only wonderfully grotesque and fascinating subjects from the artistic point of view, these creatures are also inspiring as symbols. I see them as the embodiment of a deep-rooted, untamed and intuitive side of human nature. The long and painful process of cultivating human society has produced great civilizations, but often deprived human beings of their spontaneity and unrestrained expression, removing them further away from Life in its purest form.

 
And that is not a childish thing anymore. On the contrary, it is a very important issue not only to me, but to many people living in the highly “cultivated” societies, although I believe many are still not fully aware of the problem, until one or another form of mental disorder becomes obvious.  

Now that I am about to start working on my book on Giants again, and having in mind the recent developments in terms of the complexity and depth of the concept, I am afraid it might take much longer to finish this project. I must try to create a perfect reflection of both the individual and the collective “silliness”, although I still really don’t know whether I am up to the task. We’ll see…


 
 

Friday, June 28, 2013

Art book finished


It has been a long and exhausting journey, but my first art book The Art of Petar Meseldzija has finally been wrapped up and sent off to the printer. The release date is scheduled for August 20th.
For the last 6 months I have been working very hard to put the book together, and I must say that I would never achieve my objectives without help I received from a few people who kindly offered their assistance and expertise. First off all, Dragan Bibin who helped me design the most important features of the book; Dragan Polovina who helped me finish the digital maquette of the book; Rian Gemei from Dark Dragon Books who did the actual job of wrapping up the book; my lithographer Marcel Salome from Re-Art who skillfully reworked all the digital files and by doing so “switched on the lights” in the paintings; and last but not least, Greg Manchess who very generously agreed to write the introduction, a very insightful and a wonderful one, which, to be honest, still makes me blush when I read it.

But of course, all this wouldn’t be possible without Amin Gemei, the publisher, who said “yes” when I asked him if he would be willing to publish my art book.
This hardcover, 160 pages book, with the text in English, will be first presented in August at the comic convention in Valkenswaard, the Netherlands. In September, I will be presenting it at the IlluxCon show in Allentown, Pennsylvania.

In case you want to know more about the book, here are a few links:









 

Monday, June 17, 2013

More oldies


These two oldies were also painted in watercolors. The first one is from the book Peter Enkorak by Terry Jones (the original title is Jack One-Step) and it is my first illustrated book. It was published by Mladinska Knjiga from Slovenia in 1991 as a very little, thin book with only 9 illustrations. Three of them will be included in the upcoming book The Art of Petar Meseldzija.
The other illustration is in fact an unfinished piece which I did in 1994 while contemplating a story that takes place in the 17th century Holland; with a talented and brave little rabbit, his a little less brave mouse friend, and a guy by the name of Rembrandt (who was not a very talented painter) as the main characters. And although I wrote almost the entire story, I never went further than this unfinished illustration.

 
 

Tuesday, June 11, 2013

Another Oldie




This painting of a giant was made during my studies at the Art Academy and is one of the illustrations from a book I was busy with at that time. Although the book was never finished, it was my first serious attempt to illustrate a children’s story. I painted this piece in watercolors, and one can easily see that I was heavily inspired and influenced by Alan Lee’s art.
  


Friday, May 31, 2013

Framed paintings

During my studies at the art academy I once heard the teacher saying that a painting is considered finished only after it is framed. In the past, many artists used to frame their paintings before they applied the final layer in order to make a perfect match between the two. Beside it’s aesthetic purpose, frame’s primary function is to separate two different realities, the reality of the art work, and the reality of the surrounding space.

I must admit that I do not frame my paintings before they are finished; on a few occasions I even repainted the frame so that it worked better with the painting. But I never forgot my teacher’s lesson about the importance of a frame. However, choosing an appropriate frame for my pictures has always been a challenge and I must say I am not very good in that.
For the past few years I did many commissioned paintings. Most of these paintings were delivered unframed. And because I am always interested in how the “finished” painting looks like, I often ask the client to send me a photo of the framed painting. I also like to see where and how my “babies” hang for I know I will never see most of them again. This makes me a little sad sometimes.
 







 
In front of a small portion of their huge collection, Gregg and Yvette Spatz, with Shadow Comes behind
 




The Rescuer preliminary drawing hanging next to an original Tarzan page by Burne Hogarth

Jean and Morgan Bantly in front of a part of their collection, with Gandalf in the back
 

Wednesday, May 29, 2013

Little giant study

 


 
 

Few hours later and still in progress 

Tuesday, May 28, 2013

New face on Facebook



Well, I resisted as long as I could, but good people from Dark Dragon Books, the publisher of the upcoming The Art of Petar Meseldzija book, finally convinced me that it was time to have a Facebook page in order to keep the audience informed about the latest developments regarding the book, as well as other activities of mine (hopefully not all of them…) Dark Dragon Books was kind enough to create this Facebook page, and you are invited to visit it as often as you want. Inspite of a dubious banner, this Facebook page will be a decent one…

Anyway, here is the link, so check it out