During the past
weekend, I attended a comic convention in Valkenswaard, the Netherlands.
It was a very pleasant and quite busy event. For two whole days, I was signing
and doing little sketches in The Art of Petar Meseldzija book. Here are a few
convention scribbles I did at the Dark
Dragon Books booth.
Monday, August 26, 2013
Sunday, August 18, 2013
Steel Bashaw paintings at IlluXcon
I guess many of you already
know that the upcoming IlluXcon show will be held in Allentown, (PA), U.S. in
September 11-15 . For more info about the show please go to IlluXcon
6.
This year, I will be
presenting my newly published artbook The
Art of Petar Meseldzija at the show, among some other stuff like
various prints, a portfolio map, a number of original drawings, and of course
some of my original paintings, including a few Steel Bashaw pieces.
I have made a tough decision this year … I will offer 3 paintings from The Legend of Steel Bashaw book for sale at the show. In fact 4 paintings have been selected for sale, but in the meantime one has been sold. I say “a tough decision” because it is not easy for me to part from the paintings from this book. I am really emotionally attached to them…but sometimes Life has its own agenda, and one has no other choice but to follow.
So, if you are interested in purchasing one of the pieces, and want to know about the price, etc., please don’t hesitate to contact me at petarmeseldzija@planet.nl
The following three Steel
Bashaw pieces will be offered for sale:
See you at the show in a
little more than three weeks!
Wednesday, July 31, 2013
Printing the Artbook
Two days ago, I went
together with the publisher of my artbook to the printer to monitor the process
of printing. After some minor
adjustments in color, the first 1000 copies of the book were printed out. It
was a fantastic experience to be there and to see how the pages from my first
monograph are being produced in a rapid pace by that huge metal beast, which we
call the printing press! It was a memorable moment!
The first 1000 copies
of the book will be delivered to the publisher by August 13th. In case you
already want to order the book, please go to Dark Dragon Books. The webshop page is still in Dutch, but it
will soon be changed into English, I was told by the publisher.Here are a few photo’s to give you the impression of the printing session.
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| APPROVED! |
Tuesday, July 16, 2013
The Dawn of the Day
“The Dawn of the Day”
is the only painting of mine directly inspired by a musical
composition, “Theme from Harry’s Game”,
by Clannad.
For more details of this and some other paintings please go to The Art of Petar Meseldzija
Listen to the "Theme from Harry's Game" - Clannad
Friday, July 12, 2013
Why Giants?
I always loved to
draw giants and ogres.
It all started a long
time ago as a combination of a number of factors, among which the following two
played a decisive role – a usual fascination of a child with the fantastic and
the imaginative; and a kind of compensatory behavior, for I was a shy and not
very self-confident, and often felt
”little” and insignificant when I was a kid. Of course, at that time I
was not aware of these things, but now when I think of my childhood and try to analyze
it, it becomes quite obvious that there was a certain disharmony between my
inner world, and the surrounding world, the physical reality. Naturally, this
situation produced a certain amount of discomfort that my psyche tried to compensate partly by
making me love to draw big, strong and brave guys including giants and all
kinds of heroes.
Firstly, there is
always a possibility that a part of my personality still refuses to grow up and
therefore clings to that old compensatory behavior that used to provide the
mind with the necessary relief. During
the past few years I reconsidered this issue many times, for I wanted to
understand what was going on, and in case there are still childish elements in my persona (this is somewhat different from
what is often referred to as the “child
within”), to deal with it without a further delay. This process is still ongoing
…hence the word “silly” (me) I often use in connection with my drawings of
giants.
Secondly, I
understand now that giants are not only wonderfully grotesque and fascinating
subjects from the artistic point of view, these creatures are also inspiring as
symbols. I see them as the embodiment of a deep-rooted, untamed and intuitive
side of human nature. The long and painful process of cultivating human society
has produced great civilizations, but often deprived human beings of their
spontaneity and unrestrained expression, removing them further away from Life in its purest form.
Now that I am about to start working on my book on Giants again, and having in mind the recent developments in terms of the complexity and depth of the concept, I am afraid it might take much longer to finish this project. I must try to create a perfect reflection of both the individual and the collective “silliness”, although I still really don’t know whether I am up to the task. We’ll see…
Friday, June 28, 2013
Art book finished
It has been a long and
exhausting journey, but my first art book The
Art of Petar Meseldzija has finally been wrapped up and sent off to the
printer. The release date is scheduled for August 20th.
For the last 6 months
I have been working very hard to put the book together, and I must say that I
would never achieve my objectives without help I received from a few people who
kindly offered their assistance and expertise. First off all, Dragan Bibin who
helped me design the most important features of the book; Dragan Polovina who helped
me finish the digital maquette of the book; Rian Gemei from Dark Dragon Books who
did the actual job of wrapping up the book; my lithographer Marcel Salome from
Re-Art who skillfully reworked all the digital files and by doing so “switched
on the lights” in the paintings; and last but not least, Greg Manchess who very
generously agreed to write the introduction, a very insightful and a wonderful
one, which, to be honest, still makes me blush when I read it.
But of course, all
this wouldn’t be possible without Amin Gemei, the publisher, who said “yes”
when I asked him if he would be willing to publish my art book.
This hardcover, 160
pages book, with the text in English, will be first presented in August at the comic
convention in Valkenswaard, the Netherlands. In September, I will be presenting
it at the IlluxCon show in Allentown, Pennsylvania. In case you want to know more about the book, here are a few links:
Monday, June 17, 2013
More oldies
These two oldies were
also painted in watercolors. The first one is from the book Peter Enkorak by Terry Jones (the
original title is Jack One-Step) and
it is my first illustrated book. It was published by Mladinska Knjiga from
Slovenia in 1991 as a very little, thin book with only 9 illustrations. Three
of them will be included in the upcoming book The Art of Petar Meseldzija.
The other
illustration is in fact an unfinished piece which I did in 1994 while
contemplating a story that takes place in the 17th century Holland; with a talented
and brave little rabbit, his a little less brave mouse friend, and a guy by the
name of Rembrandt (who was not a very talented painter) as the main characters. And
although I wrote almost the entire story, I never went further than this
unfinished illustration.
Tuesday, June 11, 2013
Another Oldie
This painting of a giant was made during my studies at the Art Academy and is one of the illustrations from a book I was busy with at that time. Although the book was never finished, it was my first serious attempt to illustrate a children’s story. I painted this piece in watercolors, and one can easily see that I was heavily inspired and influenced by Alan Lee’s art.
Friday, May 31, 2013
Framed paintings
During my studies at
the art academy I once heard the teacher saying that a painting is considered
finished only after it is framed. In the past, many artists used to frame their
paintings before they applied the final layer in order to make a perfect match
between the two. Beside it’s aesthetic purpose, frame’s primary function is to
separate two different realities, the reality of the art work, and the reality
of the surrounding space.
I must admit that I
do not frame my paintings before they are finished; on a few occasions I even
repainted the frame so that it worked better with the painting. But I never
forgot my teacher’s lesson about the importance of a frame. However, choosing an
appropriate frame for my pictures has always been a challenge and I must say I
am not very good in that.
For the past few
years I did many commissioned paintings. Most of these paintings were delivered
unframed. And because I am always interested in how the “finished” painting
looks like, I often ask the client to send me a photo of the framed painting. I
also like to see where and how my “babies” hang for I know I will never see
most of them again. This makes me a little sad sometimes.![]() |
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In front of a small portion
of their huge collection, Gregg and Yvette Spatz, with Shadow Comes behind
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The Rescuer
preliminary drawing hanging next to an original Tarzan page by Burne Hogarth
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Jean and Morgan Bantly
in front of a part of their collection, with Gandalf in the back
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