There is a sad story
that goes with this painting. I don’t mean to say that the story of
creation of this painting was a sad one. On the contrary, that story knows a
happy ending- the artist and the client were happy (ever after) with the
result.
I refer to the story
that is told by the painting itself. As you might expect, I am not allowed to
tell you that story now because it is meant to be published, together with this
painting, in my upcoming book of giants early next year.
However, what I can,
and should tell you is that the painting’s title is somewhat deceiving. Yes,
the giant is trying to protect the mighty tree and save it from whatever this
bunch of Viking-lumberjacks plan to do with it, but he is not a sentimental treehugger,
nor is he concerned about the greenhouse effect and all the related
consequences. His reasons for protecting this big tree are more of a serious
emotional nature; this tree just happened to be in the center of the giant’s
personal drama, not more and not less. It is rather distressing, and I would not be surprised if more
sensitive and emotionally labile readers would shed a tear, or two, after
reading about it.
Well, after saying so
much, and yet revealing nothing, I believe I cannot leave you without some kind
of a tale that, in one or another way, can be connected to the main theme of my
painting, which is (surprisingly) not the tree, but the nature of the giant’s
attachment to it. Here is a short piece by J.R.R. Tolkien from his
‘Introductory Note’ to the original edition of Tree and Leaf.
“…The story* was not
published until 1947 (Dublin Review). It has not been changed since it reached
manuscript form, very swiftly, one day when I awoke with it already in mind.
One of its sources was a great-limbed poplar tree that I could see even lying
in bed. It was suddenly lopped and mutilated by its owner, I do not know why.
It is cut down now, a less barbarous punishment for any crimes it may have been
accused of, such as being large and alive. I do not think it had any friends,
or any mourners except myself and a pair of owls.”
*Leaf by Niggle
Amazing Petar! Love every bit of it :D
ReplyDeleteWell, I wish I could say the same, Forest. :-)
DeleteДа ли та прича можда има везе са острвом Рујан? :)
ReplyDeleteПредивна слика, Петре!
Darko, moram priznati da si me prijatno iznenadio ovim pitanjem. Da, na jedan vrlo indirektan nacin ima veze sa desavanjima na ostrvu Rujan, ali taj detalj nije sustinski bitan za samu pricu. To je jedan mali dodatak za upucene, kao sto si ti. :-)
ReplyDeleteЈедва чекам да видим готову књигу. Постоји ли неки оквирни датум изласка? :)
ReplyDeleteЈа све планирам да опет сликам на платну, али посао ме стално одвлачи на дигитално сликање.
Knjiga bi trebala da se pojavi na trzistu pocetkom maja sledece godine.
DeleteDigitalno slikanje je sasvim ok i vrlo korisno, u odedjenom smislu i neophodno, u stvari komotno bi se moglo reci da je sad vec neizbezno, pogotovo za vas mladje ilustratore. Ali TI ne bi trebao da zapostavljas slikanje fizickim bojama na fizickoj podlozi posto ti to jako dobro ide od ruke!
Па сада планирам једну мало озбиљнију слику (желео бих да пробам да пошаљем радове за Спектрум), а то ће свакако бити урађено у уљу. Послаћу вам кад завршим. :)
DeleteVazi, Darko. Posalji sliku kad je zavrsis.
Delete