Recently, I went to Ghent in Belgium to attend a convention. I have been signing
my Tarzan book at the Dark Dragon Books booth. Attending comic conventions is a
relatively new thing for me, because I haven’t been doing that for more than 20
years. During such a convention I spend most of my time drawing. In every sold
copy of the Tarzan book I did a little sketch. Most of these sketches were simple
and relatively quickly done; therefore they were for free. The copies of the
book that contained a more detailed and complex drawing were sold for an additional
price, which depended on how detailed the drawing was.
At the convention I am usually surrounded by comic artists, which is
quite normal, it’s comic convention after all. For some reason there
are not many Dutch illustrators attending these conventions. I have to say that
illustration, as an art form, is generally speaking a little
undervalued in the Netherlands, in spite the fact that Rien Poortvliet, a creator
of the world famous book “Gnomes”, and Anton Pieck, a wonderfully unique artist,
hugely popular within a certain segment of the Dutch population, but not very known
outside the country, are both Dutch. I think I should do a post on their art in the near future.
Contrary to that, the comic market is quite developed here, and it seems
that these days new comic conventions pop up all over the place like mushrooms after
the rain. I guess that the situation in neighboring Belgium is pretty much the
same. Anyway, all of these comic artists from different countries who attend
the comic conventions, apparently spend their days drawing. They are always in good
shape, as far as drawing is concerned; they are highly skillful, imaginative, and
many of them are extremely good.
I am a painter and an illustrator. I don’t draw every day, I paint every
day! Painting is my cup-of-tea. And to be honest, it’s quite intimidating to
sit for a couple of days next to these gifted and hardworking guys, who
can draw with such a great ease and speed. I get frustrated every time I watch them
draw. Why I am frustrated, you might ask…? Well, for the past 15 years I didn’t spend enough time on drawing. Sometimes I did not draw for months. Therefore I lost the touch and routine, and I developed a kind of fear of drawing. Until recently, I got nervous every time I saw a blank sheet of paper in front of me. Perhaps you don’t believe me…but it’s true!
Therefore the first convention day
is always quite frustrating for me because during that day I try to regain my
drawing skills and self-confidence. Usually it gets better the next day. After I
have made a number of bad drawings, I finally make one or two good ones, which
helps me feel more relaxed. I even start to have fun, for my convention
drawings are all silly. For some reason I enjoy drawing silly things. In spite of all the troubles I somehow manage
to remember how to draw by the end of the convention, and I often go home sufficiently
satisfied with my achievements. But at the same time I realize that I need to
spend more time on drawing. I have to practice more. I tell myself that I must
draw every day, at least for half an hour, perhaps at the beginning of every working
day…I just need to draw more, I need to get better. Long time ago, when I was a
comic artist, drawing was my second nature. It would be great to awaken that
state of mind again, and to regain that level of skill. Well, I guess I just
need to practice more...
In the meantime, here is a selection of my recent convention sketches, and post-convention drawings (more detailed ones, most of these were done at home). I apologize for the blurry images. They were made with a cellphone.
In the meantime, here is a selection of my recent convention sketches, and post-convention drawings (more detailed ones, most of these were done at home). I apologize for the blurry images. They were made with a cellphone.
Drawing in progress
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Anyone who wasn't a very high-level artist with a highly developed sense of self-critique would call all of these stellar drawings.
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